The primary aim in creating software is to enable users to create, consume and manipulate available information. Treating users well by creating comprehensible visual designs (system images) is just as important when they are untrained and first encountering the software, as it is when they are familiar but discovering new functionality...
Read MoreThe Entrenchment of Modern Minimalism
Picasso's Two Characters (1934) is referenced in Apple's OS X Finder icon.
The movement of modern minimalism, while stronger than ever in the design of digital interfaces, is not remotely a new phenomenon. It has endured in earnest for over a century. Though a somewhat diverse movement as a whole, its practitioners maintain the common goal of reducing everything to the abstract and conceptual world of words. As with any movement, many, if not most of its adherents simply go with the tide and follow aesthetic trends without any more than the most surface-level knowledge of their complicity.
Read MoreOn Colors, Gradients and Chat Bubbles
On the left is what shows up when iPhone users text Android users. On the right is how iMessages are displayed.
In his latest exposé, writer and programmer Paul Ford describes a grave injustice going on today: Apple is promoting a new form of bigotry against Android users. On Apple's iOS 7 and 8 operating systems as well as OS X, text messages from Android users (and other non-iPhone users) display in a hideous neon-green gradient, unlike the obviously inoffensive blue gradient that iPhone and iMessage are displayed in.
Read MoreThis Week in Pixels
Criticism and the Armchair Fallacy
Apple's deprecated armchair icon for the Front Row app.
Humanist Interface: Introduction
Which of these two elements looks like a button to you? This distinction lies at the heart of the debate between expressive designers and the modern minimalists who dominate interface design today.
The design community has converged on a principle of austerity in the visual design of graphical user interfaces (GUI). Leaving behind the textured, dimensional aesthetic that was previously the norm, the digital design of today is superficially minimal, with flat planes of color. It has been heralded as a simpler and more honest approach to designing interfaces...
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